Country photos, actually. I treated the Nashville Star gig as a photo assignment, and hauled my camera along and tried to practice my low-light, no flash concert-type pictures. I had a bunch of problems, though, although I may have pulled it out in the end. The main problem was that there were not very many lights, and so even though I was using ISO 800 film, it was way too slow. The second problem was that I borrowed my Dad's 70-300mm lens, but it's a variable aperture lens, and it only got down to ƒ4 at 70mm, and ƒ5.6 at 300mm. I was watching the USA Networks photographers set up, and at one point they held up a white card under the lights, and I tried to spot-meter off it, but that was still too low. So I went up and talked to them. The guy I talked to was really nice. He didn't understand why I had a problem until I told him about the lens. He asked if I had a tripod, and of course I did not, so he mentioned that I might want to push the film.
Now the problem here was that at ƒ5.6, the fastest shutter speed I could get was still way, way below acceptable, like 1/8 of a second, and at that slow speed, the people I was photographing would blur. So I took the plunge, and changed the ISO rating of the film in the camera to 3200 - a two stop push. I was still getting between 1/20 and 1/60 of a second, but I didn't have a lot of options, so I just took all the pictures in that range and tried to keep the camera as steady as possible.
Because I uprated the film, I could not get it processed at Zeff's, so I took it to a pro lab over in Arlington. They seem really great there. They pushed processed the film one stop, and then stopped it, because it would not stand any more. When I got the negs back, they looked awfully washed out, but the woman at the desk told me that even the pros who shoot concert get negs back that look at that. I didn't have them printed there, though, I took them to Zeff's for that.
Anyway, the point of this story is that I get to pick them up tomorrow, and I'm excited about it.